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Fine art museum in Saint Louis, Missouri

Saint Louis Fine art Museum
StLouisArtMuseum.jpg
Location Forest Park, St. Louis, Missouri
Coordinates 38°38′22″Northward xc°17′40″W  /  38.63944°Northward 90.29444°W  / 38.63944; -90.29444 Coordinates: 38°38′22″North 90°17′40″W  /  38.63944°Due north 90.29444°West  / 38.63944; -90.29444
Congenital 1904
Congenital for 1904 Earth's Fair
Website world wide web.slam.org

St. Louis Landmark
Type Structure
Reference no. 21

Saint Louis Art Museum is located in Forest Park (St. Louis)

Saint Louis Art Museum

Location within Forest Park

Saint Louis Art Museum, 2011

The Saint Louis Art Museum is one of the principal U.Due south. fine art museums, with paintings, sculptures, cultural objects, and ancient masterpieces from all corners of the world. Its three-story building stands in Forest Park in St. Louis, Missouri, where it is visited by upwardly to a one-half million people every year. Admission is free through a subsidy from the cultural taxation district for St. Louis City and County.[1]

In addition to the featured exhibitions, the museum offers rotating exhibitions and installations. These include the Currents serial, which features gimmicky artists, equally well as regular exhibitions of new media art and works on paper.[2]

History [edit]

The museum was founded in 1879[3] as the Saint Louis School and Museum of Fine Arts, an independent entity within Washington Academy in St. Louis.[4] It was housed in a edifice deputed by Wayman Crow as a memorial to his son, Wayman Crow Jr., and designed by Boston architects Peabody and Stearns for 19th and Lucas Place (at present Locust Street). The schoolhouse, led past director Halsey Ives, educated two generations of St. Louis artists and craftspeople, and offered studio and art history classes supported by a museum collection.

After the endmost of the 1904 Louisiana Purchase Exposition, the museum and school moved from downtown to 1 of the few permanent remnants of the fair, the Palace of Fine Arts. The building was designed by Cass Gilbert, who took inspiration from the Baths of Caracalla in Rome, Italian republic.[v]

Ives introduced a bill into the General Assembly for an art tax to support the maintenance of the museum.[half dozen] The pecker was approved by the citizens of Saint Louis by a nigh 4-to-ane margin. Still, the city's controller refused to distribute the revenue enhancement to the museum's board of control, as it was not a municipal entity and then had no right to tax money. The controller's position was upheld in 1908 by the Missouri Supreme Court. This caused the formal separation of the museum from the university in 1909, a split which was the kickoff of three civic institutions:

  • a newly created, public City Fine art Museum, to remain in the Palace of Fine Arts, the organisation which evolved into the Saint Louis Art Museum;[7] an organizing board was assigned to accept control in 1912.[8]
  • the Mildred Lane Kemper Fine art Museum affiliated with the private Washington University, whose collection was lent to the City Art Museum for several years,[ix] and at present part of the Sam Fox Schoolhouse of Design & Visual Arts
  • the St. Louis School of Fine Arts, also function of Washington University. In 1905 Ives had been immediately succeeded every bit director by Edmund H. Wuerpel; as of September 1909 Wuerpel advertised classes at Skinker and Lindell.[10] Wuerpel remained director until his retirement in 1939.[xi] The school is now also office of the Sam Fox School of Design & Visual Arts.

The building at 19th and Lucas Place fell into disrepair, and was somewhen demolished in 1919.[12]

During the 1950s, the museum added an extension to include an auditorium for films, concerts and lectures.

In 1971, efforts to secure the museum'southward financial future led voters in St. Louis City and County to approve the creation of the Metropolitan Zoological Park and Museum Commune (ZMD). This expanded the tax base for the 1908 tax to include St. Louis County.[xiii] In 1972, the museum was once again renamed, to the Saint Louis Art Museum.[thirteen]

Today, the museum is supported financially by the revenue enhancement, donations from individuals and public associations, sales in the Museum Shop, and foundation support.[14]

Expansion [edit]

Plans to expand the museum, which existed in the 1995 Forest Park Main Plan and the museum's 2000 Strategic Plan, began in hostage in 2005, when the museum lath selected the British architect Sir David Chipperfield to pattern the expansion; Michel Desvigne was selected as mural architect. The St. Louis-based firm, Hellmuth, Obata, and Kassabaum (HOK) was the architect of tape to piece of work with the structure team.

On November 5, 2007, museum officials released the blueprint plans to the public and hosted public conversations virtually those plans. A model of the new building was displayed in the museum'due south Sculpture Hall throughout the construction projection. In 2008, citing the declining country of the economic system, the museum appear that information technology would delay the get-go of the expansion, whose cost was and so estimated at $125 one thousand thousand.[15]

Construction began in 2009; the museum remained open.[16] [17] The expansion added more 224,000 square feet (20,800 mtwo) of gallery space, including an surreptitious garage, within the lease lines of the property. Money for the project was raised through private gifts to the capital campaign from individuals, foundations and corporations, and from proceeds from the auction of tax-exempt bonds. The fundraising campaigned covered the $130-million cost of structure and a $31.two million increase to the museum's endowment to support incremental costs of operating the larger facility. The expanded facility opened in the summertime of 2013.

Collection [edit]

The collection of the Saint Louis Fine art Museum contains more than 34,000 objects dating from antiquity to the present. The collection is divided into nine areas:

  1. American
  2. Ancient and Egyptian
  3. Africa, Oceania, Americas
  4. Asian
  5. Decorative Arts and Design
  6. European to 1800
  7. Islamic
  8. Modern and Contemporary
  9. Prints, Drawings, and Photographs

The mod art collection includes works by the European masters Matisse, Gauguin, Monet, Picasso, Corrado Giaquinto, Giambattista Pittoni and Van Gogh. The museum's specially strong drove of 20th-century German paintings includes the earth's largest Max Beckmann collection, which includes Christ and the Adult female Taken in Infidelity.[18] In recent years, the museum has been actively acquiring post-state of war High german art to complement its Beckmanns, such equally works by Joseph Beuys, Gerhard Richter, Martin Kippenberger, Sigmar Polke, and Anselm Kiefer.[16] The collection as well includes Chuck Close's Keith (1970).[19]

The collections of Oceanic and Mesoamerican works, every bit well every bit handwoven Turkish rugs, are amidst the finest in the world. The museum holds the Egyptian mummy Amen-Nestawy-Nakht, and 2 mummies on loan from Washington University.[twenty] Its collection of American artists includes the largest U.S.-museum collection of paintings by George Caleb Bingham.[ citation needed ]

The collection contains at least six pieces that Nazis confiscated from their ain museums as degenerate.[21] These include Max Beckmann's "Christ and the Adult female Taken in Adultery" which came to the museum through a New York art dealer, Curt Valentin, who specialized in Nazi confiscations, and Matisse's "Bathers with a Turtle" which Joseph Pulitzer purchased at the Galerie Fischer auction held in the M Hôtel National, Lucerne, Switzerland, June 30, 1939.[21] [22] [23]

In the context of the museum'due south 2013 expansion, British artist Andy Goldsworthy created Stone Sea, a site-specific work for a narrow space between the onetime and new buildings. Twenty-five tightly packed, ten-foot-loftier arches fabricated of native limestone rise in a sunken courtyard. The creative person was inspired by the fact that the sedimentary rock was formed when the region was a shallow sea in Prehistoric times.[16]

In 2021, the museum received a promised souvenir of 22 paintings and sculptures from the collection of the American curator and philanthropist Emily Rauh Pulitzer, the widow of the media heir Joseph Pulitzer Jr. The donation includes works by 17 European and American artists, including Pablo Picasso, Georges Braque, Constantin Brâncuși, Joan Miró, Philip Guston, Ellsworth Kelly and others.[24]

  • El Greco (Domenikos Theotokopoulos), St. Paul, 1598–1600

  • Corrado Giaquinto, The Virgin presents Saint Helena and Constantine to the Trinity, 1741–42

Exhibitions [edit]

2020 [edit]

  • (November 20, 2020 – May 31, 2021) Buzz Spector: Alterations
  • (September 17, 2019 – October 11, 2020) The Shape of Abstraction: Selections from the Ollie Collection
  • (Dec thirteen, 2019 – November 22, 2020) Javanese Batik Textiles
  • (July 31, 2020 – January 31, 2021) Currents 118: Elias Sime
  • (August 7–November 15, 2020) New Media Serial—Martine Syms
  • (February 16–September 7, 2020) Millet and Modern Fine art: From Van Gogh to Dalí
  • (Jan 24–August 2, 2020) New Media Serial–Sky Hopinka

2019 [edit]

  • (November 15, 2019 – March 8, 2020) Currents 117: Dave Hullfish Bailey
  • (November one, 2019 – January xix, 2020) New Media Series–Clarissa Tossin
  • (October 20, 2019 – January 12, 2020) Dutch Painting in the Age of Rembrandt from the Museum of Fine Arts, Boston
  • (July 21–September 15, 2019) Paul Gauguin: The Art of Invention
  • (May 31–October 27, 2019) The Bauhaus and its Legacy: Oskar Schlemmer's Triadic Ballet
  • (May 24–December 1, 2019) Printing the Pastoral: Visions of the Countryside in 18th-Century Europe
  • (April 26–August 25, 2019) Poetics of the Everyday: Amateur Photography, 1890–1970
  • (March 17–June nine, 2019) Rachel Whiteread
  • (February 22–May 27, 2019) New Media Serial–Oliver Laric
  • (Feb 22–May 27, 2019) Currents 116: Oliver Laric

2018 [edit]

  • (Dec 14, 2018 – May 5, 2019) Southwest Weavings: 800 Years of Artistic Exchange
  • (November 30, 2018 – March 31, 2019) Printing Abstraction
  • (November 11, 2018 – February 3, 2019) Graphic Revolution: American Prints 1960 to Now
  • (October 19, 2018 – February ten, 2019) Kehinde Wiley: Saint Louis
  • (Oct 5, 2018 – Feb 17, 2019) New Media Series–Renée Green
  • (June xv–November 25, 2018) Residual and Opposition in Ancient Peruvian Textiles
  • (April 20–July fifteen, 2018) Currents 115: Jennifer Bornstein
  • (April 20–September 30, 2018) New Media Series: Cyprian Gaillard
  • (March 25–September 9, 2018) Sunken Cities: Egypt'due south Lost Worlds
  • (March 30–September 30, 2018) Chinese Buddhist Art, tenth–15th Centuries

2017 [edit]

  • (December 22–May 28, 2018) Greek Island Embroideries
  • (November 5–January 21, 2018) Thomas Struth: Nature & Politics
  • (November 17, 2017 – February 4, 2018) Currents 114: Matt Saunders
  • (November 17–April 15, 2018) New Media Serial—Ben Thorp Brown
  • (September 15–March 25, 2018) Fired Upward: Ink Painting and Gimmicky Ceramics from Japan
  • (Baronial 11, 2017 – January 28, 2018) A Century of Japanese Prints
  • (July 14–November 12, 2017) New Media Series: Amy Granat
  • (June 25–September 17, 2017) Reigning Men: Fashion in Menswear, 1715-2015
  • (May 26–November 26, 2017) Cross-Pollination: Flowers in 18th-Century European Porcelain and Textiles
  • (April 1–June 25, 2017) Currents 113: Shimon Attie Lost in Space (After Huck)
  • (April 21–September 4, 2017) The Hats of Stephen Jones
  • (March 24–June 25, 2017) New Media Series: Shimon Attie
  • (March 3–July thirty, 2017) Learning to Run into: Renaissance and Baroque Masterworks from the Phoebe Dent Weil and Marking S. Weil Drove
  • (March 10–September 4, 2017) In the Realm of Trees: Photographs, Paintings, and Scholar's Objects from the Collection
  • (Feb 12–May 7, 2017) Degas, Impressionism, and the Paris Millinery Trade

2016 [edit]

  • (December sixteen–March 19, 2017) New Media Serial: Rodney McMillian
  • (October sixteen, 2016 – Jan 8, 2017) Conflicts of Interest: Art and War in Modern Nippon
  • (September ii–December xi) New Media Series: Dara Birnbaum
  • (September ix–Apr 30, 2017) Textiles: Politics and Patriotism
  • (Baronial five, 2016 – February 12, 2017) Impressions of War
  • (August 19, 2016 – February 12, 2017) Japanese Painting and Calligraphy: Highlights from the Collection
  • (June nineteen–September 11, 2016) Cocky-Taught Genius: Treasures from the American Folk Fine art Museum
  • (April i–Baronial 21, 2016) From Caravans to Courts: Textiles from the Silk Route
  • (March 6–May viii, 2016) The Carpet and the Connoisseur: The James F. Ballard Collection of Oriental Rugs
  • (March 24–June 19, 2016) Currents 112: Andréa Stanislav: Convergence Infinité
  • (March 11–August 14, 2016) Real and Imagined Landscapes in Chinese Fine art
  • (Jan 29–July 17, 2016) A Decade of Collecting Prints, Drawings, and Photographs

2015 [edit]

  • (September 18, 2015 – March 20, 2016) Blow-Upwardly: Graphic Abstraction in 1960s Design
  • (November 8, 2015 – Jan 31, 2016) St. Louis Modern
  • (Nov 6, 2015 – March 13, 2016) New Media Series—Ana Mendieta: Alma, Silueta en Fuego
  • (Oct 23, 2015 – February 14, 2016) Currents 111: Steven and William Ladd: Scouts or Sports?
  • (September four, 2015 – March half-dozen, 2016) Journey to the Interior: Ink Painting from Japan
  • (July 17–November i, 2015) New Media Seriesâ€"Alex Prager: Face in the Crowd
  • (July 31, 2015–January 3, 2016) The Artist and the Modern Studio
  • (June 28–September 27, 2015) Senufo: Art and Identity in W Africa
  • (Apr 8–July 12, 2015) Currents 110: Mariam Ghani
  • (Apr 17–July nineteen, 2015) Across Bosch: The Afterlife of a Renaissance Chief in Print
  • (March 20–September 7, 2015) Adorning Cocky and Space: West African Textiles
  • (February 22–May 17, 2015) Navigating the Westward: George Caleb Bingham and the River
  • (Feb 27–Baronial 30, 2015) Creatures Great and Small: Animals in Japanese Art
  • (February 7–September 20, 2015) Thomas Cole'south Voyage of Life

2014 [edit]

  • (December 12, 2014–May 10, 2015) Vija Celmins: "Intense Realism"
  • (Nov 21, 2014 – April 5, 2015) Scenic Wonder: An Early American Journey Downwards the Hudson River
  • (Nov 21, 2014 – Apr 5, 2015) Nicholas Nixon: 40 Years of The Chocolate-brown Sisters
  • (October 12, 2014 – January 5, 2015) Atua: Sacred Gods from Polynesia
  • (October 31, 2014 – March 8, 2015) Currents 109: Nick Cave
  • (September 12, 2014 – February 22, 2015) Calligraphy in Chinese and Japanese Art
  • (August 1–October 19, 2014) New Media Seriesâ€"Janaina Tsch¨pe: The Ocean Within
  • (August 29–November 2, 2014) Louis Nine: King, Saint, Namesake
  • (July 4, 2014–Feb 22, 2015) Facets of the Iii Jewels: Tibetan Buddhist Art from the Collections of George E. Hibbard and the Saint Louis Art Museum
  • (June twenty–Dec 7, 2014) Brett Weston: Photographs
  • (May 24–September 14, 2014) Tragic and Timeless: The Art of Mark Rothko
  • (April 11–July 27, 2014) Currents 108: Won Ju Lim
  • (March 16–July 14, 2014) Impressionist France: Visions of Nation from Le Gray to Monet
  • (March 28–September vii, 2014) Sight Lines: Richard Serra's Drawings for Twain
  • (February 26–August ten, 2014) Anything but Civil: Kara Walker'southward Vision of the Former South
  • (Feb 7–September 7, 2014) Flowers of the Four Seasons in Chinese and Japanese Art
  • (January 10–March 30, 2014) New Media Series â€" Marco Brambilla: Evolution (Megaplex)
  • (January 24–June 15, 2014) Life Cycles: Isabella Kirkland’s Taxa
  • (Jan 21–June 22, 2014) Mother Earth, Male parent Sky: Textiles from the Navajo Earth

2013 [edit]

  • (November eight, 2013 – February sixteen, 2014) The Weight of Things: Photographs past Paul Strand and Emmet Gowin[25]
  • (Oct 4, 2013 – Feb ii, 2014) Chiura Obata: Four Paintings, Four Moods
  • (September 27, 2013 – January 5, 2014) Currents 107: Renata Stih & Frieder Schnock[26]
  • (June 29–September 2, 2013) Yoko Ono: Wish Tree
  • (June 29, 2013 – January xix, 2014) Encounters Along the Missouri River: the 1858 Sketchbooks of Charles Ferdinand Wimar
  • (June 29, 2013 –January 26, 2014) Postwar German Art in the Drove
  • (June 29, 2013 – January 26, 2014) A New View: Gimmicky Art
  • (May 3–September 8, 2013) New Media Series—Hiraki Sawa: Migration
  • (April 26–October 27, 2013) Mantegna to Human Ray: Six Explorations in Prints, Drawings, and Photographs
  • (March five, 2013 – January 12, 2014) Highlights of the Textile Drove
  • (February 8–April 28, 2013) New Media Series—William E. Jones: "Killed"
  • (January 18–June 14, 2013) Focus on the Drove—Edward Curtis: Visions of Native America

2012 [edit]

  • (Nov 2, 2012 – Jan 27, 2013) New Media Seriesâ€"James Nares: Street
  • (October 21, 2012 – January 20, 2013) Federico Barocci: Renaissance Master
  • (September 14, 2012 – Jan 13, 2013) Focus on the Drove: Drawn in Copper, Italian Prints in the Age of Barocci
  • (July 13–October 21, 2012) New Media Series—Laleh Khorramian: Water Panics in the Ocean
  • (June viii–September 3, 2012) Restoring an American Treasure:The Panorama of the Monumental Grandeur of the Mississippi Valley
  • (June 15–December 31, 2012) Plants and Flowers in Chinese Paintings and Ceramics
  • (May 4–Baronial 26, 2012) Harper's Pictorial History of the Civil State of war, (Annotated) by Kara Walker
  • (April 6–July 1, 2012) Currents 106: Chelsea Knight
  • (February 19–May 13, 2012) An Orchestrated Vision: The Theater of Contemporary Photography
  • (January 13–March 25, 2012) New Media Series—Teresa Hubbard/Alexander Birchler: Single Wide
  • (January 13–Apr 8, 2012) At the Crossroads: Exploring Blackness Identity in Contemporary Art
  • (January twenty–Apr 29, 2012) The Starting time Deed: Staged Photography Before 1980

2011 [edit]

  • (October 2, 2011 – January 22, 2012) Monet's Water Lilies[27]
  • (October fourteen, 2011 – January fifteen, 2012) Focus on the Collection: Expressionist Landscape
  • (September 9, 2011 – January 8, 2012) New Media Series—Guido van der Werve: Number Twelve: Variations on a Theme
  • (July fifteen–Oct nine, 2011) Focus on the Collection: Francesco Clemente'southward Loftier Fever[28]
  • (June 12–August 21, 2011) Restoring an American Treasure: The Panorama of the Monumental Grandeur of the Mississippi Valley
  • (June 17–September 5, 2011) New Media Serial—Martha Colburn: Triumph of the Wild[29]
  • (April viii–July 31, 2011) Currents 105: Ian Monroe
  • (April xv–July 10, 2011) Focus on the Collection: Engraving in Renaissance Deutschland
  • (February 13–May eight, 2011) Fiery Pool: The Maya and the Mythic Ocean[30]
  • (February 25–June 19, 2011) Visual Musing: Prints past William Kentridge[31]
  • (Jan 14–Apr 10, 2011) Aaron Douglas
  • (January 14–April 10, 2011) Glimpsing History through Art: Selections from the Charles and Rosalyn Lowenhaupt Collection of Japanese Prints
  • (January 28–June five, 2011) New Media Series—William Kentridge: Ii Films[32]

2010 [edit]

  • (October 10, 2010 – January 2, 2011) Joe Jones: Painter of the American Scene
  • (Oct 22, 2010 – January xvi, 2011) New Media Series—Pae White: Dying Oak
  • (September 24, 2010 – January 9, 2011) Portrait of Depression-Era America[33]
  • (July sixteen–October 17, 2010) New Media Series—Laurent Grasso, The Birds
  • (June twenty–September 6, 2010) Beak Viola: Visitation[34]
  • (June 20–September 6, 2010) The Mourners: Tomb Sculptures from the Courtroom of Burgundy
  • (June 25–September nineteen, 2010) Form in Translation: Sculptors Making Prints and Drawings
  • (April nine–July 11, 2010) Currents 104: Bruce Yonemoto[35]
  • (March 12–June xx, 2010) Lee Friedlander[36]
  • (Feb 5–April four, 2010) New Media Series | Marc Swanson & Neil Gust, Dark Room[37]
  • (February 14–May 9, 2010) African Ceremonial Cloths: Selections from the Collection

Services [edit]

  • Art classes for children, adults, and teachers. Each costs most $x–$200.
  • Richardson Memorial Library, 1 of the largest centers for the history and documentation of art in the Midwest, holding more 100,000 volumes and the museum's archives. Both can be searched through their online catalog.[two] [38]
  • Resource Center, a loan collection of educational materials circulated through the museum'southward nine satellite resource centers in Missouri.[2]
  • Free guided tours for groups led by trained docents.[2]

References [edit]

  1. ^ Saint Louis Fine art Museum Visitor Guide (2007)
  2. ^ a b c d Saint Louis Art Museum Web Site
  3. ^ "MUSEUM FOUNDATION". St Louis Art Museum . Retrieved Nov xv, 2018.
  4. ^ Saint Louis Fine art Museum Handbook of the Collection (2004), p. 8
  5. ^ Saint Louis Art Museum, An Architectural History (1987), p. eight
  6. ^ Stevens, Walter B. Page thirty
  7. ^ Saint Louis Art Museum Page 9-10
  8. ^ Saint Louis Art Museum Handbook of the Collection (2004), p. 10
  9. ^ "About the drove | Kemper Fine art Museum". kemperartmuseum.wustl.edu . Retrieved 2015-12-11 .
  10. ^ "St. Louis School of Fine Arts". St. Louis Earth Democraft. 20 September 1909. Retrieved 22 June 2021.
  11. ^ "Edmund H. Wuerpel Dies in East at 91". St. Louis Post-Acceleration. 25 February 1958. Retrieved 22 June 2021.
  12. ^ St. Louis Public Library. "The St. Louis Schoolhouse and Museum of Fine Arts – Wellspring of St. Louis Arts". St. Louis Public Library . Retrieved September 30, 2016.
  13. ^ a b Saint Louis Art Museum, An Architectural History, (1987), Folio 26
  14. ^ Saint Louis Art Museum Handbook of the Collection (2004), pp. 4–16
  15. ^ David Itzkoff (November 6, 2008), In Tough Times, St. Louis Museum Delays Expansion New York Times.
  16. ^ a b c Javier Pes (June xx, 2013), A 'quiet and reserved' new wing for Saint Louis Art Museum Archived 2013-06-30 at the Wayback Machine The Art Newspaper.
  17. ^ "Saint Louis Art Museum: Expansion". Slam.org. Retrieved 2012-10-fourteen .
  18. ^ "Press release: New book will examine Saint Louis Art Museum's drove of paintings by Max Beckmann".
  19. ^ Saint Louis Art Museum, Handbook of the Collection (2004), p. 299
  20. ^ Washington University of Saint Louis, Student Life, 2006
  21. ^ a b Hunn, David. "How a French masterpiece stolen past Nazis came to St. Louis" [1] St. Louis Mail-Dispatch, February 22, 2014
  22. ^ Stein, Laurie."The History and Reception of Matisse'south Bathers with Turtle in Germany, 1908-1939" St. Louis: The Saint Louis Art Museum, 1998
  23. ^ "Saint Louis Art Museum: Collections". Archived from the original on 2016-09-14.
  24. ^ Gabriella Angeleti (October 18, 2021), Saint Louis Fine art Museum receives 22 major works from American philanthropistThe Art Newspaper.
  25. ^ Torno, Jean Paul. "'The Weight of Things'". St. Louis Postal service Acceleration . Retrieved vi September 2013.
  26. ^ RUSSELL, STEFENE (15 November 2013). "First Stop: "Currents 107: Renata Stih & Frieder Schnock"". St. Louis Mag . Retrieved 15 November 2013.
  27. ^ "Saint Louis Art Museum curator revisits Monet's 'Water Lilies'". St. Louis Post Dispatch . Retrieved 2 Oct 2011.
  28. ^ "Artful Happenings". The Healthy Planet.
  29. ^ Willis, Holly (xi February 2011). "Martha Colburn: Triumph of the Wild". KCET . Retrieved xi February 2011.
  30. ^ "Saint Louis Art Museum Presents Fiery Puddle: The Maya and the Mythic Sea". Art Fix Daily . Retrieved half dozen January 2011.
  31. ^ MOYNIHAN, MIRIAM. "Saint Louis Art Museum shows series of Kentridge prints". St. Louis Dispatch . Retrieved 25 February 2011.
  32. ^ "Media Series by William Kentridge at St. Louis Museum". Art Daily.
  33. ^ "Portrait of Depression-Era America". Saint Louis Art Museum.
  34. ^ Wilson, Calvin. "Artist Pecker Viola explores life, death in video installation". St. Louis Today . Retrieved 25 June 2010.
  35. ^ Fisher, David. "Currents 104: Bruce Yonemoto". Highsnobiety . Retrieved 4 May 2010.
  36. ^ Baran, Jessica. "Featured Review: Lee Friedlander". Riverfront Times.
  37. ^ "Marc Swanson". Saatchi Gallery.
  38. ^ "Richardson Library Books & Periodicals". Slrlc.org. Retrieved 2012-10-14 . [ permanent dead link ]

More information [edit]

  • Saint Louis Art Museum 2004, Saint Louis Art Museum Handbook of the Collection, Saint Louis Fine art Museum, Saint Louis, Mo.
  • Saint Louis Fine art Museum 1987, Saint Louis Art Museum, An Architectural History, Autumn Bulletin, Saint Louis Art Museum, Saint Louis, MO.
  • Stevens, Walter B. (ed.) 1915, Halsey Cooley Ives, LL.D. 1847–1911; Founder of the St. Louis School of Fine Arts; Starting time Director of the Urban center Fine art Museum of St. Louis, Ives Memorial Society, Saint Louis, MO
  • Visitor Guide (brochure), Saint Louis Museum of Fine art, 2005.
  • Washington University of Saint Louis, Student Life, 2006, Buried Treasure:University Owned Mummy Kept at Saint Louis Museum.

External links [edit]

  • Official website
  • Museum Edifice Archive
  • Museum Expansion

magnussonflized.blogspot.com

Source: https://en.wikipedia.org/wiki/Saint_Louis_Art_Museum

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